Benedict Holland Violin

Benedict Holland studied at the Royal Academy of Music with Manoug Parikian and was subsequently a prize-winner at the Royal Northern College of Music, where he studied with Yossi Zivoni.

He was a founder member of the Matisse Piano Quartet and the Music Group of Manchester, broadcasting regularly for the BBC, recording, and undertaking British Council tours and is a member of the Victoria String Quartet whose acclaimed début concert took place in 2017. Also an experienced orchestral leader, he has guest-led many of the UK’s major orchestras, including the Hallé, Royal Liverpool Philharmonic, Northern Sinfonia, Bournemouth Symphony Orchestra, City of Birmingham Symphony Orchestra, Scottish Ensemble, Orchestra of Opera North and BBC Philharmonic.

Ben has always championed contemporary music, working with composers Harrison Birtwistle, John Casken, Brett Dean, Oliver Knussen, Steven Mackey, Anna Meredith, Mark Simpson and Duncan Ward, and has been Psappha’s violinist since 2010. Personal highlights with Psappha include collaborations with Peter Maxwell Davies, taking Klas Torstensson’s Violin Concerto to a residency at the Hong Kong Academy for Performing Arts, premiering Mark Simpson’s chamber opera Pleasure, a tour to Israel of Maxwell Davies’ Eight Songs for a Mad King and a recent recording for the BBC of Charlotte Bray’s evocative concerto Caught in Treetops.

Ben has been the leader of chamber orchestra Sinfonia ViVa since 2001 and the orchestra’s Artistic Advisor since 2006, appearing as both director and soloist. Recent solo appearances include works by Beethoven and Schubert, and a performance of Mozart’s A major concerto, broadcast on Classic FM.

Ben teaches at the RNCM, where he was awarded a professorship in 2016, Junior RNCM, and Chetham’s School of Music. He gives consultative classes in orchestral and contemporary techniques at Birmingham and Trinity Laban Conservatoires and professional development classes for string teachers throughout the UK.  He plays on a rare violin by Rogeri of 1710.